 |
hy an artist and not an athlete
or an actor (or a singer or a...?) Well, I'll tell you
why. Artists
are
special. Especially painters. Shelley once said that poets are the
unacknowledged legislators of mankind, but he was wrong. Painters
are. |
I
don't mean that in some vague poetic manner, I mean it in the most
concrete and realistic of
senses Seriously, the whole purpose for civilization is
to coddle and maintain its artists. I'll prove it to you.
You are
most likely reading this on a computer screen or your telephone. At the
heart of both technology and telecommunications are the twin founding
inventions of the 19th century: Morse Code (telegraphy) and the
practical steam engine. Without those two innovations, you would be
reading this screed by a lamp lit with whale oil. And funny thing about
both those innovations: they were both invented by artists (in fact,
painters). I'm not talking about wannabe jack-of-all-trades
repaint-your-furniture artists, I'm talking established, successful
painters
who dabbled in steam engines and telegraphy as a sideline. Robert
Fulton, inventor of the first practical steam engine, was a noted
portrait miniaturist.
|
Morse was even
more successful. This is probably his most famous painting, the Gallery of the Louvre (1833):
Not
good enough for you? How about Galileo Galilei, founder of, well,
modern science as we know it. Polymath, physicist, mathematician,
engineer.
Watercolorist.
Galileo's training in artistic techniques gave him the conceptual
understanding to correctly interpret what she saw through his
telescope lens. His art background gave him the conceptual
foundations that lead directly to the scientific method.
|
Then there Leonardo.
Leonardo's accomplishments stretch across so many fields—anatomy,
mathematics, avionics, hydrodynamics, civil engineering, optics,
military science, mechanical engineering—it's hard to find a
subject in which Leonardo didn't
make a seminal contribution.
Scratch an innovation and find an artist. More specifically, find a
painter. I'd go so far as to suggest that the conceptual leap that led
to agriculture—the idea that nature
could be made subject to human control—arises from the magical
aspects of cave painting.
 |
 |
But this is
all circumstantial. How can we test this hypothesis? Well, let's look
at cultures that have actually rejected artistic expression, cultures
like the Hasidim, or the Pennsylvania Dutch.
 
Both
are frozen in time, like a fly in amber, at the very moment the society
rejected the visual arts, the 18th century for the Hasids, the 19th for
the Amish.
Artists are the means by which new ideas enter the Arena of Discourse
from the Region of Archetypes. No artists, no new ideas, simple
as that. Society does not create art. Artists create society. Art is not merely essential, it is quintessential.
The goal of the Artists Revolutionary Party is to make the world safe for artists.
am not running for President of the United
States; no, that is not enough. I am running for Dictator of the World
and my election as US President in 2024 is only a stepping stone
in the right direction. But first, we must analyze the problem before
we can approach a solution.
Why Does
Everything Suck?
Everything
sucks because Western civilization is coming to an end. The
old Christian West will be gone by 2100. I mean this literally:
everyone
will be dead in 80 years. This is the end,
my friends. Sic transit gloria
Occidentis.
To
understand what is happening we must examine the work of John B.
Calhoun.
In the
1950’s-60’s ethologist John Calhoun performed a series of experiments
at the National Institute of Mental Health (NIMH—this is the basis for
the movie “The Secret of NIMH”) in which mice and rats were placed in
conditions of severe overcrowding while still having all their basic
needs taken care of. The result was catastrophic societal collapse,
what Calhoun referred to as the “behavioral sink.”
"Many
[female rats] were unable to carry pregnancy to full term or to survive
delivery of their litters if they did. An even greater number, after
successfully giving birth, fell short in their maternal functions.
Among the males the behavior disturbances ranged from sexual deviation
to cannibalism and from frenetic overactivity to a pathological
withdrawal from which individuals would emerge to eat, drink and move
about only when other members of the community were asleep. The social
organization of the animals showed equal disruption. ...
"The
common source of these disturbances became most dramatically apparent
in the populations of our first series of three experiments, in which
we observed the development of what we called a behavioral sink. The
animals would crowd together in greatest number in one of the four
interconnecting pens in which the colony was maintained. As many as 60
of the 80 rats in each experimental population would assemble in one
pen during periods of feeding. Individual rats would rarely eat except
in the company of other rats. As a result, extreme population densities
developed in the pen adopted for eating, leaving the others with sparse
populations.
"...
In the experiments in which the behavioral sink developed, infant
mortality ran as high as 96 percent among the most disoriented groups
in the population."
-- Population Density and
Social Pathology, Calhoun
Things are
starting to look suspiciously similar to overcrowded rats around here.
We're seeing a lot of self-destructive behavior that could be
attributable to the behavioral sink. The example par excellence of
humans accommodating severe overcrowding is Japan, where an exquisite
cultural aesthetic makes cheek-by-jowl living that would be
unsupportable in the West a possibility. And what is happening there?
Hikikomori
We are
witnessing the beginning of a huge, lemming-like die-off in Japan. In
20 years, when today's 60 year olds become infirm, an entire generation
of the elderly is going to die of neglect.
The
Japanese recluse problem is reflected to a degree in Western gamer
culture, the men’s rights movement and the “incel” phenomenon. I’d say
we too are well on our way to a NIMH-like hell.
Incidentally,
once you look up hikikomori, you will find yourself down a rabbit hole
of herbivore men, otaku, and parasite singles. Fair warning!you need to
examine the work of John B. Calhoun.
In ther
1960s and Why
indeed? We artists have left the world in your hands, and you
non-artists have botched it. Enough all ready! If you can't clean up
this mess, we have to. It's our reponsibility; see "Why an Artist?"
below.
What's
the Solution?
|